September 16, 2025
Cultural Engineering in the Key of F minor with Major Overtones
Cultural Engineering in the Key of F minor with Major Overtones
Crrow777
Join us on (9-21-25) Sunday @ 8pm Est as we share the latest solar videos and talk about social engineering via music – over the last half century.
The 18th Member Solar Video is live tomorrow for members (9-17-2025). It covers the Summer of 2025.
My problem has always been figuring out a way to talk about things that are simply unbelievable. The truth is, we are surrounded by a carefully crafted system designed to control and influence what we think and believe. All the world is truly a stage. This is done to prevent you from comprehending where you exist, and also what this place really is. Control and influence is acted-out to prevent you from “real-eyes-ing” that you are a very powerful spiritual being who is capable of things that the vast majority of successfully programmed minds cannot conceive of. Again, every mainstream source of entertainment and information with significant reach is programming your mind nonstop. This includes all of the famous “characters” we love to worship in the cult of personality. If you are now looking for the exceptions to the rule, you may well find them. However, you are missing the point. The point is that social engineering has been a success for a long time now. The world stage is now powered by technology and most of what you see is delivered via video, which is evidence of nothing at this point.
“My evil self is at that door… and I have no power to stop it!” Words spoken by Morbius as shown in the 1st big budget sci-fi film from Disney in 1956, “Forbidden Planet”. In the film they travel in “space”, in a “flying saucer” to Altair IV which is later echoed in a number of Star trek movies and episodes. It’s even echoed in Stephen King’s “The Tommyknockers”. And of course, a future NASA lunar landing mission scheduled for… wait for it… 2020.
Altair is a real star and resides in the constellation Aquila, which is Latin for “Eagle”. Altai IV is not. Such is our plight surrounded by a constant barrage of subconsciously influencing “information” from cradle to grave. As Red states in “The Shawshank Redemption”, we have all been “Institutionalized”, and many remain in this state of mind. We are at the point where many possess little to no ability to question our invisible mind prison, or to recognize the actors on the stage. The prisoners will even go so far as to worship the players, and defend the entire production.
Rock and roll, a crown jewel in the long game and one of the most successful social engineering campaigns we are aware of. Repetition and style were locked-in, and the cult of personality was launched at a young generation. For the first time, an entire generation was manipulated and engineered through a musical industry that was filling stadiums and selling records by the millions. It seemed that Rock N Roll would never die. But that too was an illusion because the very same bar that had been lowered to usher in Rock music, was again lowered to make way for Hip Hop and Rap. The downward trending frequencies jackhammered the basement floor to see just how low it could go.
It is on the record that many of the best studio players thought rock music was beneath them. But they played it anyway for a paycheck. In time, they got used to it and the second generation of studio gunslingers ensured rock music had been normalized, even for skilled musicians. That was the point, but there was a built-in time line. When the 1990s rolled around, the rock machine was sacrificed and arena-filling bands were paid to stand down so the next format could be artificially launched. And in this iteration of social engineering via music, it was about to be proved how low it could go. From resonant frequencies to shameful lyrics, the young generation was again in the crosshairs of trigger-men deadest on lowering higher-minds, and destroying spiritual progress.
Hip hop and rap were loaded into the shotgun, and the malefic frequency was cranked downward. If you wonder why corporate money funds the soundtrack, the same companies hold stock in private prisons, there’s your answer. Music designed to steer young people toward prison, and program culture simultaneously. All the while, the tuning stays locked at 440 and is paired with spiritually damaging frequencies, and the feed never turns off.
Digital music delivery killed what was left of harmonic overtones, and compression flattened what little dynamic range was left, delivered through low-fi earbuds. The algorithm stepped in to do the rest. We are now 70+ years into an artificial sound-scape where music is not made to inspire. It is made to loop, sell, distract, and spiritually uninspire. It is made to reduce and hold spiritual beings at the lowest possible resonance. A resonance where violence and sex reside.
The era of “record labels” controlling all commercial music is coming to an end now. Many musicians are learning that they no longer need them and will actually do better without them. Not to mention the ridiculously unfair one-sided contracts that have helped to ruin popular music. There are now plenty of examples of individuals with musical talent becoming well-known and making a living from simply having posted videos. No contracts, no controllers, and no social engineering added once popular. The opportunity is now. It is time to walk away from the corporate music killing beast, and put music back in the realm it belongs in. Music has been said to have the ability to soothe the savage beast. It is time we remember that cliché and put it to work, free of the system that now stands in for the beast that needs soothing.
I would like to wish you all a happy, healthy, and higher-minded new era – Cheers!
