November 25, 2025

When New Music had Complexity, Key Changes, Harmony, Melody & No Agenda

Crrow777

“So ya thought ya might like to go to the show – To feel the warm thrill of confusion, that space cadet glow”.

In 1973, a band formed that would be an integral part of new emerging music genres. That band is Devo, and the new genres are New Wave and Punk. Rock n Roll had apparently ruled the airways for long enough. In the early 1970s, the splitting asunder of the megalithic, guitar-driven Rock genre began to take shape. Devo would play an important role, and even the band’s name fit the bill. Devo brings front and center the idea of “De-Evolution”. I cannot imagine a more fitting concept than de-evolution to describe what entertainment, and specifically the music industry, has been used for. De-evolution indeed. Are we not men? We are Devo.

With the onset of New Wave, Punk, Disco, and other new forms of music, lay the beginnings of the carefully planned demolition and eventual starvation of Rock music. I guess nothing that powerful is allowed to exist for too long. Did you know that two members of Devo were at the internationally reported Kent state shootings in 1970? If you look it up now, you will be told one member was for sure, but “they” are not sure about the other. You might also be interested to know Chrissie Hynde of the “Pretenders” (perfect band name if truth matters) and Joe Walsh of Eagles fame were also at Kent state. As time goes by, it becomes less clear how many of them witnessed the so-called shooting. Back when I first researched this in 2016, all of the names were directly related to the event, but so goes information on the internet. It can be, and will be changed to service the de-evolution program that is so tightly bound to the music industry, and ultimately serving the One World agenda.

As I looked up dates and information for this blog, I saw the following sentiment written over and over again: “Devo would not exist without Kent State”. Almost like it was some rite of passage for fledgling rock stars. And it all “played out” a literal stone’s throw from Solar Totem #1 on the Kent State campus. We are told that the solar sculpture sports a bullet hole from the shooting on May 4, 1970. No less than four future rock stars were present that day in 1970 at Kent State, even as the strength of this information weakens online. By design in my book, as is the overall topic that was so well immortalized in Rock history. One can only imagine the impact of events on the “world stage” at that time, as they were amplified and echoed in real-time through popular music.
The gift of Kent State kept giving as the supergroup Crosby, Stills, Nash and Young of Woodstock fame were touring their new album “Déjà vu” (again, spot on name). Neil Young took time to respond to the nationwide news at the time. Less than 3 weeks after the Kent State incident, and a mere week after the shootings at Jackson State University in Mississippi, Neil Young immortalized the event with the song “Ohio”. The tune immortalizes the reported Kent state shooting by the National Guard, which played out during an anti-war demonstration. Anti-war student demonstrations served as the early fuel behind so much of the Rock music in this era. A massive young generation waited eagerly for the next album to drop containing the marching orders for the counterculture movement.

Who can forget being directed to “wear flowers in your hair” when heading up to Haight Ashbury in the late 60s? And don’t forget the Woodstock anthem of the same name, “Woodstock”, that was written by Joni Mitchell, but who was not even at the mythical event. We are told the lyrics in the song were derived from her boyfriend, Graham Nash, of Crosby, Stills, Nash & Young fame, who did play at Woodstock – for the 2nd time ever, we are told. But don’t look for old Neil Young (a Canadian like Joni Mitchell) in the supposed documentary movie footage for the movie “Woodstock”. He is not in the film, but you can look up the nonsensical explanation of why, if you wish. In an early Crrow777Radio episode (#482, and #21), I cover a number of “problems” with mainstream accounts of Woodstock. It started when I noticed a shot of the moon in the film was in the wrong lunar phase for the stated time of the event. Did you know that three versions of Joni Mitchell’s song “Woodstock” were all released in the same year – 1970? That is one way to get a message out and cement it at the same time. There was even a special version of the tune for those in England.

Young folks today have little idea of how chaotic the 60s and 70s were, from a social engineering standpoint. In my mind, the 1960s kicked off the beginnings of the social engineering that has led up to what we are dealing with today. Namely, a world take-over by corporations gone savage. Though one can make the argument that world wars or other big events should hold this position, JFK and Rock n Roll are where I mark the “active” launch of the directly-related global take-over plan. And yes, de-evolution has been a mainstay in the effort, and this sad truth precedes even world wars.

The Charlie Manson skit played out in summer a year before Kent State. The related news coverage changed this country as much as any event I can recall. Hippies became dangerous overnight, and the first barred windows I ever saw came to be commonplace. Fear never fails to capture attention, and too often, obedience. Manson is also directly related to the music industry, among other things. Of course, Hollywood now makes entertaining movies about the Manson Murders (as they were once known), that re-write the ghastly ending that includes butchery at a level that even staged events should steer clear of. The story line of “Tin soldiers and Nixon’s coming” is not even in the same ballpark as “Helter Skelter”. We are told Kent State University was closed because of the shooting in 1970. The Beatles, who launched the aptly named British Invasion, enjoyed record-breaking album sales, even though the music was claimed to be the impetus for multiple murders, to include that of an unborn child. If you recall, excerpt lines and words from the album were written in blood at what we are told are crime scenes.

I wish I could tell you “We won’t get fooled again”, but we will, and have been. The song of the same name (Won’t get fooled again) was played by The Who following the events of 911, honoring first responders of 911 in NYC. Roger Daltrey made an effort to be honest when he said during the opening chords of “Behind Blue Eyes”, “I’m not worthy of wearing this,” when he was tossed a law enforcement officer’s cap. If the lyrics to the song “Behind Blue Eyes” are any indicator, the band has no other option than dishonesty. “No one knows what it’s like – To be hated, to be fated – To telling only lies”.

In 1967, Jim Morrison intoned “The End”, which was followed by one of his Face Dances, changing characters in 1971, and disappearing into myopia. The song was produced by a Rothchild, and it echoed the war in Vietnam his father, Admiral Morrison, helped to launch through yet another false flag called the Gulf of Tonkin. In 1971, the Pentagon Papers informed America about the magnitude of lies that had been told to advance the war machine in south-east Asia. As the military battered their enemies into submission, entertainment battled their enemies into submission. These were the very people being entertained, as it turns out. At some point, our country fell into a permanent state of myopia, exhausted by the initiation into the alchemical crucible meant to service and further the plan for corporate control of the entire world and everyone in it.

Following all of this was the planned elimination of Rock n Roll with what I will call Rap (in general). This new genre was pushed into high gear and given all the resources Rock needed to survive. The de-evolution initiated in the early Rock era was reimplemented on steroids through Rap. This genre came to be as a lowering of basically everything. From vibration, to beat, to lyrical content, an intended mind-lowering so-called musical genre was launched. Instead of describing it, suffice it to say so many of the so-called artists who got rich on early Rap will not let their own children listen to it. And what is worse is that it is now known the same interests that control private prisons also have a huge stake in the urban music production. In other words, Rap was also designed to fill prisons. It is an overwhelming and complete success. Sometime in the 1990s, basic features of music were edited out to make way for Rap. Key changes is one of them. Complexity in general made way for mind-lowering simplification that was being delivered on unhealthy frequencies in primal beats along with animalistic lyrics. If a song does not have harmony or melody, can we still call it music?

At some point, one must wake up to the fact that the biggest bands and names in music are used to execute an agenda. This can also be said of the entire entertainment industry. The industry is now controlled by a few international mega-corporations. If we look no further than the societal/cultural fall that occurred during the 1960s, it is undeniable. The unbelievable number of military and intelligence connections in 1960s rock stars’ families tells the story. In this decade, the family unit was broken. Gender starts to become a plaything in the war on truth, as it is now, just even more so. Drugs were normalized, causing more damage than can ever be measured. Drugs are so “normal” now the pusher lives at CVS. The “stars” we loved and worshipped are “pretenders” who helped to style and deliver a “de-evolution” agenda everywhere. It has been wildly successful, to say the very least.

We stand on the precipice of “Endgame”, while the final acts of the world domination agenda play out. Nearly every facet of the entertainment we love so well has been stealthily working as double-agents in support of the end-game. And that is where we exist now. The year before the Covidius Minimus psychological operation (2019,) we were informed by Marvel Studios that the End Game was upon us. It was the biggest movie in the world and delivering a message. The message was never a secret, and did not need to be, because of self-induced societal myopia (nearsightedness) and alchemical processing. It will be a close call at the finish line, but glasses to improve vision are being issued world-wide. Can you see yet? Hey…there’s one who can see without the glasses! And another…and…

Truth be told, there are no glasses. Can you see yet?

I would like to wish you all a happy, healthy and higher-minded new era… I would also like to say – Don’t get fooled again.